The Weather Man (2005)
“Who wants to be foretold the weather? It is bad enough when it comes, without our having the misery of knowing about it beforehand.” —Jerome K. Jerome, Three Men in a Boat
[Rating: 3.4/5]
Pros: Phedon Papamichael ‘s cinematography
Cons: piling on frustrations
I found it very hard to get into “The Weather Man,” a 2005 box-office bomb written by Steve Conrad for Nicolas Cage, who plays the title role (with the “stage name” Dave Spritz) and directed by “Pirates of the Caribbean” money-maker Gore Verbinski (who went on to another commercial disaster that was also a critical disaster in “The Lone Ranger” in 2013). Dave is frustrated by the silliness/meaninglessness of his job as a Chicago tv weather announcer with no meteorology education. People in passing cars keep hurling fast food products at him, perhaps not liking the weather or frustrated at its unpredictability or not liking him. Analyzing it, he concludes that food is thrown at clowns and that that is how he is seen.
I find it difficult to believe that a national broadcast could be considering hiring Dave. Nicolas Cage is undeniably a movie star despite his odd look, but a national tv weatherman?
Dave is not likable, especially when he is recognized by autograph-seekers (I think he should be flattered, not least considering what a low opinion of his “profession” he has.) Nicolas Cage is good at puzzlement and at having difficulty keeping his temper; Michael Caine is capable of underplaying. I eventually had to sympathize some with Dave, if more with Noreen, whose irritations with him seem amply justified both before and after their divorce. The acting was good all-around, the writing less so, and the cinematography of Phedon Papamichael (The Descendants, Nebraska, 3:10 to Yuma) exceptionally good.
I think “Quiz Show” with similar father-son dynamics is better, but “The Weather Man” is better than many (probably most) Nicolas Cage movies.